Untitled (female artist)
Baldessari without balls
Christian Jankowski (Manifesta)
Leap into the void
Untitled
The Contribution (LACMA)
Untitled (Getty-Hammer-Lacma-Moca)
Out of Context
Liberation (Neue Nationalgalerie)
The artist was present
Fountain (after Sherrie Levine)
untitled (NY-MX-VIE)
untitled (pastel)
untitled (neon)
8.75 meters of fame
The Present
Erased Hirschhorn / Erased Levine
The World's Leading Art Magazine
Analyzing
Erased Rauschenberg
The Kiss (MoMA)
On the Illusion of Art
Untitled (Bauzaun VLM)
Erased Pictures from Flash Art N°259
My Most Favourite Art
untitled (leather jacket)
Fucks the Curator
Public Dancefloor
Everyones' Best Friends
untitled (thanks to the consumers)
untitled (pillows)
create your very own personal...


The Contribution (LACMA) 2014 / performance and intervention / adhesive vinyl letters on museum board

The Contribution's target is the Los Angeles County Museum of Art (LACMA). Here Anwander is seen surreptitiously adding her name (printed in the patented LACMA-font), to a large list of prominent museum donors, located at the museum entrance. By adding the lettering to the column that reflects the smallest possible amount that donors can give in order to enter the selected circle of patronage, Anwander confers on her name a fictional monetary worth and a social role.
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